There is something extraordinary about the cheraw (bamboo dance) performed during Chapchar Kut. The dance is unique, elegant, and spectacular, but it carries a deeper connection to the land and lives of the people, particularly to the remarkable practice of shifting agriculture (or jhum) which subtly encapsulates the dance of the bamboos themselves on the mountains of Mizoram.
I first watched the grand cheraw performance at the Assam Rifles stadium in Aizawl in Mizoram’s Gospel Centenary year. Although the state had seen great transformations in religion, traditions and economy over the last century, the cheraw itself had been retained as a deeper marker of culture.
The cheraw dance performance at Chapchar Kut following Mizoram’s gospel centenary year (24 February 1995).
Cheraw at Aizawl, March 2014.
Eagle’s eye-view: the jhum shifting agriculture landscape in Mizoram, northeast India. Note extensive cover of bamboo, secondary, and mature forests retained in landscape even as cleared jhum fields of the current year lie drying in the sun.
The Economic Survey Mizoram 2012-13 made a bold claim. After quoting the Forest Survey of India’s (FSI) State of Forest Report 2011 that 90.68% of Mizoram is under forest cover, the Economic Survey claimed, literally in bold letters in a box, that the State’s forests
have suffered serious depletion and degradation due to traditional practice of shifting cultivation, uncontrolled fire, unregulated fellings etc.
Due to change in customary cultivation practices, focus has now shifted to raising horticultural crops… thus preventing secondary growth on old shifting cultivation patches. This has also led to the decline in forest cover assessed in the state.
Thus, Mizoram’s forest cover may be taking a turn for the worse not because of shifting cultivation but because of the State’s push to establish permanent cultivation, notably horticulture crops such as oil palm.
An oil palm plantation on a steep slope adjoining Dampa Tiger Reserve, Mizoram (Photo via Wikimedia Commons).
Tropical rainforests cleared for oil palm plantation in Sabah, Malaysian Borneo (Photo via Wikimedia Commons).
Forest areas have shrunk to fragments as oil palm plantations expand over vast areas in south-east Asian countries, like here in Sabah, Malaysian Borneo (Photo via Wikimedia Commons).
Oil palm promotional poster along the highway near Lengpui airport.
Oil palm plantations now occupy shifting cultivation fields on slopes and wet rice cultivation areas in valleys.
Converting secondary forests and shifting agriculture to oil palm is a travesty of watershed management.
“One of the hardest things in politics,” US President Barack Obama said in a recent interview, “is getting a democracy to deal with something now where the payoff is long term or the price of inaction is decades away.” Obama’s words are pertinent not only to the rules proposed on June 2 by his administration to cut future carbon emissions by US fossil-fuel power plants as a step to address climate change. They are also relevant to the other great democracy and its spanking new government on the other side of the planet: India.
On the road to development? Destructive projects promoted for short-term gains may have unaccounted long-term costs to people and nation (Photo of logs lying along the Andaman Trunk Road).
Two spectacular bamboo dances, one celebrated, the other reviled, enliven the mountains of Mizoram, the small northeastern Indian state wedged between Bangladesh and Myanmar. In the first, the colourful Cheraw, Mizo girls dance as boys clap bamboo culms at their feet during the annual Chapchar Kut festival. The festival itself is linked to the other dance: the dance of the bamboos on Mizoram’s mountains brought about by the practice of shifting agriculture, locally called jhum or ‘lo’. In jhum, bamboo forests are cut, burnt, cultivated, and then rested and regenerated for several years until the next round of cultivation, making bamboos vanish and return on the slopes in a cyclic ecological dance of field and fallow, of farmer and forest. While Cheraw is cherished by all, jhum is actively discouraged by the State and the agri-horticulture bureaucracy. Although jhum is a regenerative system of organic farming, Mizoram State, the first in India to enact legislation to promote organic farming, is now pushing hard to eradicate jhum under its New Land Use Policy (NLUP).
Eagle’s eye-view: the jhum shifting agriculture landscape in Mizoram, northeast India. Note extensive cover of bamboo, secondary, and mature forests retained in landscape even as cleared jhum fields of the current year lie drying in the sun.
Organic farm: Soon after the field is burnt, the first rains appear, and fields become quickly covered in green.
Better land use: The jhum landscape mosaic of fields, regenerating fallows, and forests (on left) is a better form of land use and forest cover than monoculture oil palm plantations (on right).
At first I thought it is the people of Mizoram who use bamboo to perform their celebrated dance, the Cheraw. After months of field research in remote forests of this small state in northeastern India, I know now it is the other way round. Through its intimate influence on the people, it is the bamboo that does its own dance on the mountains of Mizoram.
The Cheraw performance at Chapchar Kut festival, (Aizawl, 7 March 2014)
A farmer’s eye-view of the jhum landscape, through the window of a bamboo hut in a jhum field: slashed fields waiting to be burnt, the previous year’s fallows, and slopes draped with regenerating bamboo forests.
The landscape of the dancing bamboos in the buffer zone abutting Dampa Tiger Reserve. A jhum fire burns the current year’s field, behind a bamboo hut perched on last year’s fallow already covered in green regrowth. The landscape around has all stages of succession from young to old bamboo forests, secondary forests of bamboo and trees, and patches of mature evergreen forests with trees in ravines, ridges, and other refugia (Serhmun village jhums near Tuilut, March 2014).
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